9.11.05

Politics, Environment, Photography: Thick Smog over Beijing


the scale on the source image (click the picture to go to it) shows this photo to cover an length of area around Beijing of about 1000 km.
"Thick pollution obscured the sky over Beijing and nearby regions on November 4, 2005. According to news reports, the cityƂ?s pollution index reached the highest level on the scale between November 4-5, and residents were warned to spend as little time as possible outdoors. Children, elderly, and those with respiratory conditions were cautioned to be especially careful."
Source: EO Newsroom

There is another image from the same source, this time about Smog and China, which I briefly noted.

8.11.05

Photography, Art: Jeff Wall - Canadian, Classicis

"'A Sudden Gust of Wind (after Hokusai)' is a large colour photograph displayed in a light box. It depicts a flat, open landscape in which four foreground figures are frozen as they respond to a sudden gust of wind. It is based on a woodcut, Travellers Caught in a Sudden breeze at Ejiri (c.1832) from a famous portfolio, The Thirty-six Views of Fuji, by the Japanese painter and printmaker Katsushika Hokusai (1760-1849). Wall photographed actors in a landscape located outside his home town, Vancouver, at times when similar weather conditions prevailed over a period of five months. He then collaged elements of the photograph digitally in order to achieve the desired composition. The result is a tableau which appears staged in the manner of a classical painting."

Source: Tate Collection

Art: Canadian

Useful magazine about the Canadian Art Scene, called, logically, Canadian Art

Photography: "A bleak society that has lost meaning ..."

"This new book The New Life, La Vie Nouvelle, (Twin Palms Publishers, October 2005) ... features a series of fifty photographs by French photographer Lise Sarfati. The photographs were taken in cities like Austin (Texas), Asheville (North Carolina), Portland (Oregon), Berkeley, Oakland and Los Angeles (California), New Orleans (Louisiana) and some small towns in Georgia.

"In each of these portraits, Lise Sarfati dramatizes the complexity of adolescent identity : within unfamiliar territory - both emotionally and physically - where the simplest of feelings become exalted and everything is lived with an intensity that adults will never again be able to feel. We are talking here of a kind of parallel reality, an interstitial territory which doesn't understand geographical spaces or political systems, which no longer belongs either to a completely real reality or to a consciously conceived fiction, but rather finds itself fed by its own rituals and codes of behaviour, where the dividing line between good and bad, happiness and sadness, innocence and perversity or reality and fantasy is extensively blurred."
F. Javier Panera
Source: Lise Sarfati's website.
"After the end of the soviet empire marked by the fall of the Berlin wall in 1989, Sarfati started work on various projects in Russia, photographing there almost exclusively for the next 9 years. This work formed the basis of her first monograph, 'Acta Est', Latin meaning 'it's over' or 'the play is done'. Her pictures show with small areas of Russian cities, exteriors and interiors, viewed frontally in colour with an often brutal intensity, remarkable for their emptiness. Towards the end of the work we also see some of the people she has photographed, who seem to be mainly dysfunctional families, trans-sexuals and the mentally ill. It is powerful work and provides a bleak view of a society that appears to have lost its meaning."
Source: About.com - Lise Sarfati

7.11.05

Photography: Unconventional Iraq

Intriguing photos by Christoff Bangert

Writing, Poetry, Politics: "I feel your pain, Scooter"

Garrison Keillor weaves parenting, current events and life's lessons in a concise article:
"A person can learn a great deal if you're lucky enough to get into serious trouble and of course it's more beneficial if you do it when you're young. But trouble is a good teacher at any time and it's a shame so many people try to skip the School of Hard Knocks. If only they knew the good it would do them."
Source: International Herald Tribune

Keillor also skillfully selects a daily poem, which one can have emailed, on The Writers Alamanc.

5.11.05

Poetry: Newfoundland's People

A friend's comment about Poet John Ashbery's 'Interesting People of Newfoundland':
This is quite a good prose-poem that really conjures up a little vignette of Newfoundland life. Interesting to see how mundane and basic a lot of the descriptions are: some would not even call this poetry in any kind of a formal sense. I would have to read more of his work, but it appears as if he is deliberately being prosaic and undercutting the lyricism to create a straightforward slice of life. How does a phrase like “worship of the chthonic [definition] powers” end up here?
"Interesting People of Newfoundland"
by John Ashbery from Where Shall I Wander: New Poems (Ecco Press)

Newfoundland is, or was, full of interesting people.
Like Larry, who would make a fool of himself on street corners
for a nickel. There was the Russian who called himself
the Grand Duke, and who was said to be a real duke from somewhere,
and the woman who frequently accompanied him on his rounds.
Doc Hanks, the sawbones, was a real good surgeon
when he wasn't completely drunk, which was most of the time.
When only half drunk he could perform decent cranial surgery.
There was the blind man who never said anything
but produced spectral sounds on a musical saw.

There was Walsh's, with its fancy grocery department.
What a treat when Mother or Father
would take us down there, skidding over slippery snow
and ice, to be rewarded with a rare fig from somewhere.
They had teas from every country you could imagine
and hard little cakes from Scotland, rare sherries
and Madeiras to reward the aunts and uncles who came dancing.
On summer evenings in the eternal light it was a joy
just to be there and think. We took long rides
into the countryside, but were always stopped by some bog or other.
Then it was time to return home, which was OK with everybody,
each of them having discovered he or she could use a little shuteye.

In short there was a higher per capita percentage of interesting people
there than almost anywhere on earth, but the population was small,
which meant not too many interesting people. But for all that
we loved each other and had interesting times
picking each other's brain and drying nets on the wooden docks.
Always some more of us would come along. It is in the place
in the world in complete beauty, as none can gainsay,
I declare, and strong frontiers to collide with.
Worship of the chthonic powers may well happen there
but is seldom in evidence. We loved that too,
as we were a part of all that happened there, the evil and the good
and all the shades in between, happy to pipe up at roll call
or compete in the spelling bees. It was too much of a good thing
but at least it's over now. They are making a pageant out of it,
one of them told me. It's coming to a theater near you.

4.11.05

Music: Green Day - Working Class Heroes

RollingStone on Green Day's origins:
"Massive concussive explosions (rigged by the band's pyrotechnics team) periodically shake the house and unnervingly call to mind the attacks in New York, Madrid, London and Iraq. Four songs into the show, the houselights go out and the arena is plunged into blackness. Armstrong, lit by a satanic red spotlight, pans a hand-held searchlight over the crowd and recites, in menacing tones, the Pledge of Allegiance, while bassist Mike Dirnt pumps out a paranoia-inducing bass line and drummer Tre Cool taps his snare rim like a bomb ticking down to detonation. They explode into 'Holiday' -- an incendiary anti-government song in the tradition of Dylan's 'Masters of War.'"
Source: RollingStone.com: Green Day

26.10.05

Photography: Winogrand

Scan courtesy of Masters of Photography.

Photographer Resnick on his experiences at a workshop put on by Winogrand, who pioneered street photography:
"Winogrand's photos showed an amazing lack of adherance to any rules of composition. Like the streets below, the images were filled with people in motion. There was a precarious, dynamic balance between humor and loneliness in the odd angles--an unfamiliar but powerful combination."
Source: Rambling with Resnick
Most of Winogrand's best pictures - let us say all of his best pictures - involve luck of a different order than that kind of minimal, survivor's luck on which any human achievement depends. It is luck of an order that can perhaps be compared to the luck of an athlete, for whom the game is devised to make failure the rule and conspicuous success never wholly in the hands of the hero. The great Henry Aaron hit a home run 755 times in his career, but failed to do so almost 12,000 times.

As Winogrand grew older and his ambition grew more demanding, the role of luck in his work grew larger. As his motifs became more complex, and more unpredictable in their development, the chances of success in a given frame became smaller...
Source: Masters of Photography: Garry Winogrand. (Masters of Photography is a great site!)

Photography: LensCulture

Site: LensCulture Web Log

23.10.05

Politics, China: Maopost.com - Vintage Chinese Propaganda Posters

"Poster of the month: 'Carry out the struggle of denouncing Lin Biao and Confucius to the end.' Printed in February 1974."

Source: Maopost.com - Vintage Chinese Propaganda Posters

18.10.05

Writing, Technology: Ftrain.com

"When I write, when I think, the Internet is just too much for me to fathom. It's a wonderful tool for research, a good way to kill a few hours. I grew up with computers, started hacking away when I was twelve. I always thought that the Internet would make me more productive, more aware of the world around me but instead I'm using technology that was laughable in 1995 and getting much more done. I feel more in command of my own mind, more reliant on my own thoughts, when I work in this stripped-down fashion."
Source: Ftrain.com

17.10.05

Photography: Editing digital images

A useful guide:
"The levels dialog is pretty strictly a 'hone in on the contrast and balance' thing. The curves dialog is where you can get more interesting results and more subtle control, like being able to lock down a dark midtone that you don't want to shift and adjust the brightness of the shadows right next to it independently."
Source: Editing your digital images without the mystery : Page 5

Photography: Taking Note


Notes
Originally uploaded by pmorgan.

Technology, Ideas: Digital Imperfections

Steve Albini, the engineer who has recorded thousands of albums including ones for Nirvana, PJ Harvey, the Pixies and the Breeders. His studio prowess is legendary among musicians; he's known for arranging mikes in a way that gives drums that elusive, compressed sound and brightens the tone of the guitars. Walk into Electrical Audio, his studio in Chicago, and you'll find a trove of vintage consoles, mikes and tape machines that many bigger studios long ago replaced with newfangled digital gear.

Another of Albini's beefs: auto tuning, or the practice of correcting the pitch of a track's vocals so they are perfectly in tune. Ella Fitzgerald, he says, was said to have perfect pitch, meaning she could hear a note in her head and, without the aid of an instrument, sing it exactly on key. But even her singing had minor inflections that would have been corrected by digital tools routinely used today. He says the result is vocals that take on a robotic quality and lack the feeling of a live performance.
Source: Wired News: Don't Fear Digital Mediocrity

Movies: Johnny Cash

His gravel voice is instantly familiar, and so is his outlaw image as the country singer who dressed in black and sang for convicted felons at Folsom Prison in a best-selling album. As a hell-raiser, he blazed a trail in the early days of rock, wrecking cars, getting arrested, battling drugs, all while leaving his distinctive stamp on American music. But that didn't explain the essence of the man.
Source: The Secrets That Lie Beyond the Ring of Fire - New York Times

16.10.05

Art, Politics: Mark Lombardi - Diagramming the Affairs of State

'I am pillaging the corporate vocabulary of diagrams and charts - rearranging information in a visual format that's interesting to me and mapping the political and social terrain in which I live,' Lombardi told the videographer Andy Mann in February, 1997.
Source: (Mark Lombardi) arts / w b u r g

"A few weeks after the Sept. 11 terrorist attacks, an FBI agent called the Whitney Museum of American Art and asked to see a drawing on exhibit there. The piece was by Mark Lombardi, an artist who had committed suicide the year before. Using just a pencil and a huge sheet of paper, Lombardi had created an intricate pattern of curves and arcs to illustrate the links between global finance and international terrorism.

"In other drawings, Lombardi explored subjects ranging from the collapse of the Vatican bank to the Iran-Contra scandal. The results are not only detailed slices of history, but also works of art -- some looking like constellations of stars on a dark night, others swirling clouds of abstract lines and points."
Source: NPR interview with the curator of an exhibit of Lombardi's diagrams/art works. The exhibition catalogue is at Amazon. (The diagrams are still hard to read, even in the catalogue.)

A very useful collection of images, notes and links is at Pierogi2000

Photography, Religion, China: Xiahe Nun Emanates Good Will


Devotion
Originally uploaded by pmorgan.

Photography: Digital Photography Review: 8 posts/min

"Today we crossed a pretty amazing milestone, the ten millionth message posted. We are fortunate to have a very high ratio of helpful and knowledgeable posts and regular posters who make our forums the place to learn and develop your digital photography. The dpreview.com forums average over 11,000 new message posts every single day and we have just over a quarter of a million subscribed forum members."
Source: dpreview forums: Ten million posts

12.10.05

Planning: The Noguchi Filing System

"A book I read has prompted me to try a rather unconventional filing system, the system proposed and used by Noguchi Yukio, an economist and writer of bestselling books about such things. Implementation of the system requires the user to discard many conventional notions about how to store paper documents."
Source: The Noguchi Filing System

Noguchi's material is all in Japanese, which limits access. One [ed. 'you'? more personal, but somehow more directive?] can attempt a simply version of one aspect of the system using windows search function and not putting any criteria in the search field. Sort the files from oldest to newest. Review and prune from oldest to newest. Provides a sort-of David Allen-like modest zen sense of order/accomplishment.

8.10.05

Photography: Digital Blending

Useful strategies on the Luminous Landscape site:
"In nature when doing landscape work that includes sky, especially early or late in the day, the contrast range encountered often exceeds that which film or imaging chips can handle. It's therefore necessary to find a way to reduce the contrast range to something that the camera can handle so that the highlights don't burn out and the shadow areas don't turn inky black."
Source: Digital Blending Tutorial

See also: Peter Bowers blending post to the Flickr techniques group. (That is a lot of links because it isn't easy to search flickr [longer thought, yet to be written].)

Photography: Grain and the Blue Trees


Blue Trees and Mist
Originally uploaded by
peter bowers.
Hey pete - cool picture. I was 'pleased' in a schadenfreude sortof way to see some grain in the sky in the largest version. Is that in the original as well? Or is it a product of posting a smaller file? How does one ensure a solid, grainless sky, assuming that is what one wants? (I think in the old film days, a certain grainyness was expected or even desired?)

For example:
Digital photography has changed not only the magazine's workflow but also its visual aesthetic, says Geoff Michaud [of Sports Illustrated]"There's a different quality expectation with digital vs. film. With film, grain was accepted and tolerated. It was a by-product of sharpness. When we moved to digital we found that the expectation changed. I'm not 100% sure why. Now a softer feel image [is considered good], and when noise becomes apparent it's a negative thing, where it wasn't with film.
Source: Geoff Michaud.

5.10.05

Technology, Entrepreneurship: Don Dodge - Lessons for Entrepreneurs

Never get too far ahead of the market. Creating new markets, new business models, and value propositions is very difficult and takes lots of time and money. Pioneers are usually unsuccessful, the fast followers make most of the money.

Understand who your customer is, what problem you solve, and how much they are willing to pay for it. Sounds simple enough but you would be surprised how many start-ups get excited about their technology innovations and forget about the basic business proposition.

Never start a business focused on solving a big company’s problem. They don’t know they have a problem…and they are probably right. That is how they got to be so big in the first place. The record labels didn’t know they had a digital distribution problem and were not interested in our solution to it.

Test your assumptions before spending lots of money. Interview your potential customers. Understand what their top 10 problems are. Don’t try to convince them that you have a solution to a problem they don’t know they have. Take a survey of 100 potential customers. Ask them to list their top 10 problems, without prompting from you. If you don’t see your problem area listed…move on to another problem."
Source: Don Dodge on The Next Big Thing: Napster - the inside story and lessons for entrepreneurs

Movies, Writing: Wired says Serenity's a Smarter Space Opera

Serenity feels cutting edge. Why? It's smart and very well-written. Good writing, of course, predates the silicon age. But with most sci-fi, horror and fantasy films semiliterate at best, decent dialogue seems like a technical innovation. The movie is nearly as soulful, charming and funny as Firefly.
Source: Wired News: Serenity's a Smarter Space Opera"

Photography: Like Meditation

"Photography is like a meditation for me. It is such a concentrated moment." - Stephanie Torbet


Source: Get The Picture: Postcards

Photography: rion.nu

"rion nakaya is a design director and street photographer in new york city." Source: ..: . rion.nu | new york city. :..

Development, Economics, International Relations: 60 Seconds With Jeffrey Sachs

Fast Company: What are our biggest problems?

SACHS: I'm focusing on a world divided between rich and poor, and a world that doesn't seem to be able to manage the natural base of our lives: air, oceans, or biodiversity. It's a mistake to think that globalization is automatically beneficent and should run its due course--but also to think that it ought to be shut down.

FC: What have you learned about the very poor?

SACHS: That there are different problems in different places. Development can really work everywhere. But most of sub-Saharan Africa, the Andean region, and Central Asia face obstacles [of disease and isolation]. These are not cases of whether government cares or doesn't care, or is corrupt or uncorrupt. The haphazardness of life and death is absolutely shocking.

"FC: So if a bunch of CEOs walked in and said they wanted to help, what would you tell them?

SACHS: Let's say you had ChevronTexaco and ExxonMobil saying, We're investing in West Africa, what do we do? Well, the model of the past 20 years--protecting staff from malaria while ignoring the dying among you--is no longer workable. You have to engage with what business does best. Set real targets. Have quantifiable goals. I would tell these businesspeople that if they took up ending malaria in Nigeria or deforestation in Ghana, they would find a lot of partners. You don't have to start in the hardest places: I'll take you to governments that are ready and empowered to act. But don't believe it can happen without you."
Source: 60 Seconds With Jeffrey Sachs

China, Photography, Travel: Entering Shanghai


Took the maglev train into Shanghai - top speed on 30k run was 430 km/hour. Cost less than $10. Of course at the maglev station at the other end the taxi's are all refusing to use meters. (One just walk out on the street, but in the rain it is tedious).

Environment: Becoming Carbon Neutral

Pragmatic and the most effective of the sites doing this sort of 'calculate your damage and make a contribution so we can plant trees to deflect'.

Question: Do trees hold onto the carbon forever, or do they, eventually, 'off-gas'?

Observation: These sorts of sites assume an 80 year payback. You actually do a lot of damage on your one flight/drive etc. but since the tree will be absorbing carbon for 80 years, you only need to plant one tree. Seems like we might need to be planting 80 tress at a time.

"Offset Your CO2 Emissions": Tree Canada Foundation